Popular posts from this blog
CURRENT & RECENT PROJECTS
Recently finished playing Mrs. Kendal in THE ELEPHANT MAN for TheatreWorks at their Mt. View venue (650 seat theatre). Lovely production and very well received. Here are some of the reviews received... ******************* A Rousing Revival, TheatreWorks' 'Elephant Man' borders on brilliant (Los Altos Town Crier) ...Dines is a vision of bustled and corseted, flowing-gowned loveliness in Cathleen Edwards' rich Victorian costumes. When she takes his hand, a slight involuntary gasp and just perceptible shiver send a shock of electricity through his body and the entire theater. It's in such scenes that Artistic Director Robert Kelley's revival of Bernard Pomerance's 1977 drama best captures its underlying themes... (SFGate) Now in a new run with TheatreWorks, the play is a fleshed-out and full-bodied re-imagining of this slice of history. It watchfully lingers over Merrick's mental anguish and his hopes for happiness, ......and his lust for the artless,...
WHY WE HAVE A BODY - Magic Theatre
SF CHRONICLE "Body" is a beautifully crafted production, smoother and more cohesive in Katie Pearl's stagings than the original. Cutting the intermission and the earlier division into distinct sections helps, as does the openness of Marsha Ginsberg's spare, broad set, on which Pearl paces the action as fluidly as its metaphors. .... the scenes between Lili and Renee. Their coy, evasive flirtation on a plane is sweet, and their first date is a sly delight. And when they get back together after a first separation, English's wary vulnerability and Dines' wry certainty turn metaphor to stage magic. STARK INSIDER ...the themes explored in this play — sexual identity, finding your place in the world, love — resonate just as strongly today. It’s testament to the strength of the material which includes one quotable quote after another. I might have filled up my notepad on this evening more completely than ever before. ...



Comments
Post a Comment